Mr. Editor, Tear Down This Wall

by Corey Murray on August 25, 2011

You know what word I hate? Advertorial.

I’m not alone. For those of us who cut our journalistic chops in the newsroom, the division of editorial and advertising is as sacred as the constitutional separation of church and state.

My first reporting gig out of college was covering the use of technology in education. Eager and brimming with post-graduate idealism, I gnashed my teeth every time one of our salespeople asked me to sit in on a product briefing with a potential advertiser. 

What gall these marketing types had. And what exactly did they think they were doing mingling amongst the reporters? I thought they worked in the basement. Maybe they’d crawled in through the vents?

Whatever the case, they certainly shouldn’t be allowed here. A newsroom is a bastion of objectivity. Such an infestation threatened to erode our credibility with all the fastidiousness of termites set loose in a lumberyard.

It’s been more than a decade since my editorial sensibilities suffered that first reality check. And though I’d love to think of the ad-edit boundary as endless, impassable and charged with 10,000 volts, experience has taught me the real shock awaits the editor unwilling or unable to adjust his grip in the face of change.

Interactive advertisements in online publications and on the covers of some print magazines have fueled this debate. Take a look at recent print and digital editions of ESPN or WIRED. With the ubiquity of the iPad, smartphones and other portable digital devices, publishers are confronted with a seemingly limitless menu of advertising options, from clickable videos to music to interactive games.

A recent study from Affinity’s VISTA Digital Service, which measures the effectiveness of ads delivered through iPad apps and other mobile platforms, indicated that magazine readers engage most with digital ads that feature sponsored videos, photo galleries and 3D product views.

Among readers that tap the screen to watch a sponsored video embedded in an ad, the report said, 88 percent enjoy the experience. Eighty-nine percent categorize the advertiser as “innovative” for taking such an approach.

The landscape has changed so dramatically, in fact, that AOL has formed a new brain trust dedicated to reevaluating the traditional web page and fostering more integration between advertising and editorial.

As a content creator who must be mindful of a publication’s bottom line, it makes sense, particularly in this economy.

But what’s the use of a wall, if it can’t keep anyone out? Maybe it’s time we stopped stacking bricks and started doing what’s necessary to help our publications and their readers navigate a world in which advertising and editorial coexist?

Our publications shouldn’t be denied the benefits of new and innovative advertising tools—tools that could improve their bottom lines and, by extension, their editorial product—simply because we’re afraid such methods might compromise the value of their content.

Call me crazy, but with a little work, I think we can help uphold, perhaps even strengthen, the integrity of our editorial, while continuing to improve the reader experience through better more engaging advertising. What do you think?

P.S. None of this changes my opinion of the word advertorial, by the way. It still gives me the creeps

Corey Murray

Written by: Corey Murray

Corey is a managing editor at TMG. He’s always on the lookout for new interview candidates. So, if you know a content expert who might be willing to share insights on Engage, give him a shout.

  • marc

    Advertorial is a compromise that leaves no one happy (readers, editors, advertisers). I like what you’re saying here, that the solution is protecting editorial from encroachment while making ads more interesting (and perhaps related to the editorial, that’s fine, as long as it’s clearly labeled as such).

    I think people are fine with ads in general, they understand that someone has to pay the bills. But they hate when ads pose as edit (the most obvious form being advertorial), because it undermines credibility and insults their intelligence.

    Best case scenario? Great editorial with ads that are interesting and clearly labeled. Win, win, win.

  • http://www.tmgcustommedia.com CoreyM

    Thanks, Marc. And I agree with you about making sure advertising and editorial are clearly labeled. The good news for content creators is that some of the same features that make advertising more engaging and attractive can also be used to improve editorial. Videos have been a big hit on a lot of our sites. So, too, has expanded or premium web content that lures readers to the web from the pages of their print magazines. The key lies in helping readers understand the difference and empowering them to navigate a multimedia landscape.

  • http://engage.tmgcustommedia.com Chris Blose

    Corey, what if we rebrand “advertorial” as “edvertising?”

    On a serious note, and taking the role of consumer rather than editor, I tend to view the interactive ads on iPad apps the same way I view TV commercials: I tolerate them, because I know they fund the content I enjoy so much. I can live with that model.

  • stfulmao

    “Edvertising” rules. I’m saying it with a brittish accent.

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